Where’s Part 1? That was last week (I just didn’t call it Part 1…)
So, to continue with the self indulgent and congratulatory tone sparked by my amazement this blog has lasted ten years, here are a few more photographs that prompt happy (for me) memories. I seem to have chosen quite a few warm and sunny ones this week, probably in response to how snowy it has been here – our snowiest QC week yet – hooray!
Mrs PC and Junior taking in the sun and looking out towards the San Andreas Fault somewhere in sunny CATough, weathered, a touch gnarly, but isn’t the Joshua Tree NP a delight?Cool off here – West Coast Vancouver IslandMountain cabin high shared with friends near Pagosa Springs, COMy favourite classroom – Wizard Islet, Deer Group Islands, Barkley Sound, BCFavourite view with a pint – cheers! (Eagle’s Nest Pub, Ucluelet, BC)
Enough for this week – there’s always the archive button if you’d like to see more! Thanks for reading, and I hope you have a wonderful weekend!
Favourite totally quiet camping spot in QC (somewhere in QC – top secret location…)
Prairie road trips can get your imagination going into overdrive!
Spending so much time in the foothills and on the plains is great for storytelling. You might be getting away or heading towards something in all that open ground. The huge spaces are canvases for wonderful stories, real or imagined, like a giant screen on which to project our tales. But as I’ve said in other posts, the scenery is often so much more than a background for stories. It can be a vital character, or help reveal character. It can shape events, and encourage us to confront what is real or important. In fact, the background becomes the foreground, goes from being passive to active, alive, and sometimes kicking.
I was thinking about this whilst watching an entertaining little movie, Cop Car (dir. Jon Watts, Focus 2015) recently. A road movie/coming of age drama/crime thriller, it is a new addition to my favourite outdoor or wilderness movies. As before, I’ve likely stretched the definition of what makes an outdoor or wilderness movie, and decided Cop Car fits the bill. For the most part, the tale is told under vast skies, on rural roads and along two lane blacktops snaking through golden grasslands. So, definitely an outdoor movie (or an almost outdoors movie!)
Rural roadThe story is quite simple, almost plotless. Two young runaway boys stumble over an “abandoned” police car and take it for a joy ride. The corrupt police officer wants his car back because there is incriminating evidence in the trunk. That’s pretty much the set up. What elevates the piece is a fine performance by Kevin Bacon, sporting a tremendous moustache and in fine scary bad cop mode. The outstanding use of the Colorado grasslands creates an unusual setting for all the drama. These elements, plus a short running time and economical script, combine to create a gripping tale. It’s rural noir! The details are all there – late model cars, old pick up trucks, lots of dust, and the occasional cow – if the movie had been shot in an urban setting, it would have been less effective.
An occasional cowIt opens with the two young boys walking across the grasslands, repeating curse words, verbally testing where they are prepared to push the boundary, where they might cross a line. It’s a dare. They reach a literal boundary, a barbed wire fence, and choose to climb through, and push on in their attempt to escape whatever is behind them. Each time they dare each other and achieve a minor success, we know they are in fact digging themselves a deeper hole. You feel for them, recognizing their need to escape, but knowing they probably can’t.
Bridge over the Red Deer River (and bugs on windshield)If this all seems a bit downbeat, you might be right. However, there is an enjoyable vein of black humour and sly wit running through the movie. An example is when one boy leans over to check the speedometer, and the needle is barely flickering on 30mph. He glances at his buddy doing the driving, and then resignedly slumps back in his seat, choosing to say nothing. Haven’t we all been there?!
These won’t hit 30mph…Parts of the movie reminded me of Rob Reiner’s wonderful Stand By Me, where the rhythm and flow of serious, yet essentially innocent, childhood conversations are captured with such clarity. Like Stand By Me, the boys treat their situation and surroundings as a big adventure, obviously mimicking what they’ve seen on TV or read in books. You know that their relative innocence is going to be lost as the story unfolds, and they become entangled in affairs beyond their understanding. When they find the police officer’s weapons and use them as toys, it is almost too hard to watch.
Wide open spaces (of Alberta)Because the story takes place in the wide open spaces of eastern Colorado, there is nobody about to assist the children. They are left to their own devices. The prairie setting gives the story the necessary room to breathe, the space for it to unfold. The beauty of the landscape is a contrast to the brutality of the adult characters.
There is a sense of unease throughout the movie, contrasting with the humour that raises a smile even as it unsettles the viewer because we fear for the boys. The sight of a bathrobe-clad criminal, rifle in hand, hopping from small bush to small bush by the roadside, searching for a place to make an ambush, is both funny and disturbing. And how about playing with conventions? The cop car as getaway car? A cop stealing a car? This is a movie full of small delights.
Our getaway vehicleThe boys’ youthful naivety in trusting adults at face value is painful, and made worse by their geographical isolation from potential help. You may predict how it will all play out, but you stay with it because it is played out so well, and in stunning locations. It might not suit all tastes, but I enjoyed Cop Car for being a little different, a blood and dust prairie road trip worth taking.
Take a prairie tripThe movie doesn’t do much for police recruitment in rural Colorado, but it might encourage those in search of their own (peaceful) big adventures to take a road trip out that way. Big skies and big landscapes await you! Just don’t be tempted by an apparently empty police cruiser…
As always, please feel free to share a story or leave a comment. Have you seen Cop Car? Maybe you’ll catch it this weekend, or it’ll catch you! (All of the photos here were taken the past few weeks in Alberta during our prairie explorations – not Colorado, but a pretty good stand in!)
How about a movie recommendation that doesn’t have a holiday theme? Holiday movies can be a bit hit and miss – do you really want another turkey? For the record, I do enjoy “It’s a Wonderful Life” and “Die Hard” this time of year. But let’s imagine we’d like a great movie without a holiday connection to enjoy, and allow us to escape – for a little while – from the festivities. (Not saying you want/need to escape, but just in case…)
A holiday escape? (Alberta Rockies)
This is a great teaser isn’t it? No? I’ve stretched what makes a wilderness movie here, and would like to recommend a movie that at least 15 people, (possibly one to two more), have seen. It really set the box office on fire – not that that is necessarily a sign of quality. The movie? “Slow West” (dir.John Maclean, A24, 2015). Huh? Slow West? Never heard of it! Slow West? That’s a terrible movie title! Yup, probably contributed to a lack of excitement about seeing it. Awful title, marvellous movie. Honestly, that title is by far the worst aspect of the movie.
Slow West – why go fast?
It’s a recent western, and I’m making the argument many westerns are also wilderness movies if the director has taken the time to include interesting outdoor locations. Most westerns include sections set in the big outdoors; I think of them as prototypical road movies, with horses instead of cars. Slow West is no exception, being beautifully shot in what we are informed is Colorado sometime after the Civil War. Big skies, big mountains, rivers, hill country, and grassy plains all figure in the movie. Western staples? You bet! Yet, there is something off kilter about the rugged scenery. It is familiar, though…
Colorado (somewhere near Pagosa Springs)
Turns out the movie was filmed in New Zealand! This explains the familiar unfamiliarity. Or is that the unfamiliar familiarity? I found that to be part of the fun and appeal of the movie, a slight oddness in setting that extends to an oddness in character, story and photography. You know you are watching a western, but with delightfully subtle subversions of the genre. Slow West pays respect to the conventions, then plays with audience expectations, and that was most enjoyable.
Colorado hills
Like many a western predecessor, the plot is slight – a tale of love, revenge, mixed motives, and shady characters encountered on a difficult journey. There is redemption for some, loss for others, and a neat resolution that is not necessarily what you might expect, but makes for a satisfying conclusion.
Colorado sunrise
The acting, particularly of the leads Michael Fassbender (weary gunslinger) and Kodi Smitt-McPhee (an innocent abroad), is strong, and there is a fine assortment of well played characters encountered throughout the movie. The violence is realistic, as expected, but less expected is the way the movie confronts the consequences of violence. This is not a celebration of gunplay – the final shootout is certainly handled carefully, and is also quite unusual. Perhaps that is the real pleasure of this little movie, the quirky and unexpected wrapped up in familiar packaging. Not too bad if you’d like a different movie this holiday season.
Big (Alberta) skies
There are so many great westerns out there! The Searchers, Butch Cassidy and the Sundance Kid, Johnny Guitar, The Outlaw Josey Wales, Unforgiven, any Sam Peckinpah western – these are all favourites of mine. Chances are you’ve seen those, so I chose Slow West instead. Quirky, not turkey. I think it stands up as a decent recent example…
Shot in widescreen cowboyrama
Thanks for taking the time to read this. As ever, please feel free to make a comment or share a story. Were you one of the few to see Slow West? Do you have a favourite (holiday) wilderness or western movie recommendation? Thanks, pardners, and keep your guy ropes secure.
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